During the
          fall of 1980 Fine completed another commission, Trio
          for Violin, Cello, and Piano (1980) for the
          Mirecourt Trio. She wrote a large, complex, and demanding
          piece of two movements that are divided into sections.
          The movements are about equal in length, making the
          design symmetrical, and having a formal plan of ABC
          AB’D. Movement one’s A section begins with a
          sixteenth-note canon between the violin and cello lasting
          nine measures. When composing the original line, Fine was
          careful not to repeat patterns, and a few places where
          she did are disguised with changes in phrasing. Similar
          to the opening of Teisho, the pitches from this
          original background texture are reused throughout the
          Trio. The B section presents “pesante e
          marcato” lines set in textures that repeat and
          recombine, while C is a passacaglia in memory of Gregor
          Piatigorsky, who died in 1976. The eight-measure
          passacaglia theme is repeated eight times in a series of
          growing complexities….The second movement’s A
          section begins with a piano texture derived from the
          Trio’s opening canon and uses similar material as
          the initial A, enhanced with rescoring, added
          counterpoints, and canons….[the final section] is
          an elegy on a theme by Ravel paralleling the earlier
          passacaglia.
          –Heidi Von Gunden, 
			The Music of Vivian Fine, Scarecrow Press,
          1999