During the
fall of 1980 Fine completed another commission, Trio
for Violin, Cello, and Piano (1980) for the
Mirecourt Trio. She wrote a large, complex, and demanding
piece of two movements that are divided into sections.
The movements are about equal in length, making the
design symmetrical, and having a formal plan of ABC
AB’D. Movement one’s A section begins with a
sixteenth-note canon between the violin and cello lasting
nine measures. When composing the original line, Fine was
careful not to repeat patterns, and a few places where
she did are disguised with changes in phrasing. Similar
to the opening of Teisho, the pitches from this
original background texture are reused throughout the
Trio. The B section presents “pesante e
marcato” lines set in textures that repeat and
recombine, while C is a passacaglia in memory of Gregor
Piatigorsky, who died in 1976. The eight-measure
passacaglia theme is repeated eight times in a series of
growing complexities….The second movement’s A
section begins with a piano texture derived from the
Trio’s opening canon and uses similar material as
the initial A, enhanced with rescoring, added
counterpoints, and canons….[the final section] is
an elegy on a theme by Ravel paralleling the earlier
passacaglia.
–Heidi Von Gunden,
The Music of Vivian Fine, Scarecrow Press,
1999